Why Decline Matters (John Michael Greer)

  May 28 (Archdruid Report) -- One of the most curious blind spots in the contemporary imagination, as I have suggested more than once in these essays, can be traced in the way that the concept of decline has vanished from our collective discourse about the future. What makes this blindness even more curious is that it is a very recent thing.

  A century ago the possibility that the modern western world might reach a peak, and then retrace history’s familiar path down to the common fate of civilizations, was on many minds. The art of Aubrey Beardsley and the novels of Joséphin Péladan, to name only two leading figures of the Decadent movement, announced, and at times wallowed in, the approaching decline that Oswald Spengler detailed a few years later in his magisterial prose. The belief in decline was never universally held, or even a majority view – those who prophesied the imminence of Utopia through progress or violent revolution had at least as large an audience, and apocalyptic fantasies were never hard to find – but the idea was there, and commanded attention from serious thinkers.

  Somewhere between the 1920s and the end of the Second World War, however, the entire concept of decline dropped out of the modern world’s collective imagination. Except for a brief reprise in the wake of the converging crises of the 1970s, and a few manifestations on the far edges of today’s fringe culture, it has yet to return. This odd shift in the shapes of our imagined futures demands attention from those of us who try to sense the shape of the future in advance, because if the future we get is one of decline, the results could be far more challenging than anything the more simplistic notion of sudden collapse can offer

  Decline, after all, is not a linear process. Trace the decline of the dead civilizations of the past along the dimension of time, and much more often than not it follows a complex, stairstep curve that alternates periods of crisis with respites and partial recoveries. Compare the process to the sort of sudden apocalyptic collapse that occupies so much space in the collective imagination today, and a striking result emerges: the amount of population decline and cultural loss in any given generation may be much less than would result from a single sudden catastrophe, but the overall impact of decline is much greater, and the capacity for swift recovery much less.

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