Who Moved My Xanax? | James Howard Kunstler

James Howard KunstlerJames Howard Kunstler -- World News Trust

Jan. 12, 2018

The moral panic of “the Resistance” is back in DefCon 1 mode overnight just as the righteousness orgasm of the Golden Globe Awards was wearing off.

Mr. Trump’s casual question to a couple of Senators vis-à-vis immigration policy -- “Why do we want all these people from ‘shithole countries’ coming here?” -- pushed the “racism” button at Resistance Central and CNN staged yet another of the orchestrated anxiety attacks it has perfected over the past year.

The spotlight in this three-ring circus of perpetual offense, indignation, and alarm shifts back from the alleged sufferings of movie actresses to another intersectional victim group from the Dem/Prog pantheon of oppressed minorities: would-be immigrants-of-color. The President’s vulgar animus proves the charge that at least half the country is a lynch mob.

Of course, the most interesting feature of this neurotic zeitgeist is the displacement dynamic among the political Left as its frantic virtue-signaling attempts to distract everybody else in the room from its own dark and shameful emotions about the composition of American culture. As a born-and-bred Boomer (ex-)liberal from Manhattan’s Upper East Side, I can assure you from direct experience that this group has, at best, ambiguous feelings about the lower orders of mankind -- my Gawd, did he actually say that? -- and, at worst, a certain unmanageable contempt that stirs deep fears of moral failure.

Mr. Trump’s remark raises another interesting question that has not received much analysis amidst the latest panic: namely, how much of a “shithole” is our own country these days? I would avouch, contrary to the limp narrative of boom times, that the USA is visibly whirling around the drain in just about every way that matters. Except for the centers of financialization -- New York, Washington, San Francisco -- most of our cities are hollowed-out wrecks, and visitors to San Francisco will tell you that the place is literally a shithole, from the army of homeless people who, by definition, have no bathrooms.

Our ghastly suburbs, where so many formerly middle-class Americans are now marooned in debt, despair, and civic alienation, have no prospects for serving as a plausible living arrangement anymore, and were so badly built in the first place that their journey to ruin is destined to be an epically short leap that will amaze historians of the future roasting ‘possums around their campfires.

All of the important activities in this land have been converted into odious rackets, by which I mean nakedly dishonest money-grubbing scams, especially the two sectors that used to be characterized by first, doing no harm (medicine), and seeking the truth (education). But everything else we do is infected by engineered falsehood and mendacity, including the news media, the law, banking, government, retail commerce, you name it. We’re living in a culture of pervasive control fraud, in which authorities set up looting and asset-stripping operations without any restraint.

There are certainly waves and cycles in history, and one them involves a society’s capacity for self-understanding. Sometimes, a culture is sturdy enough to permit a high level of collective self-awareness. And sometimes a culture is too flimsy or exhausted or sick to achieve even low levels of self-awareness. We are at a low point in the cycle, sunk in grievance fantasies and narcissism. The end result is we don’t know what we’re doing or why we’re doing it.

The immigration quandary remains, with its vexing questions. What if there isn’t enough of an American common culture left for anybody to assimilate into? Are we obliged to admit everyone in the world who wants to leave their own country? Do we care about how people get here, or how they behave once they are here? Does anything go, and nothing matter?

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James Howard Kunstler is the author of many books including (non-fiction) The Geography of Nowhere, The City in Mind: Notes on the Urban Condition, Home from Nowhere, The Long Emergency, and Too Much Magic: Wishful Thinking, Technology and the Fate of the Nation. His novels include World Made By Hand, The Witch of Hebron, Maggie Darling -- A Modern Romance, The Halloween Ball, an Embarrassment of Riches, and many others. He has published three novellas with Water Street Press: Manhattan Gothic, A Christmas Orphan, and The Flight of Mehetabel.